![]() ![]() ![]() Following successful sign in, you will be returned to Oxford Academic.Do not use an Oxford Academic personal account. When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth/Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. “Rhythm: A Hundred Years of African American Poetry” provides a detailed overview of a broad range of black poets, from slavery through the mid-1990s. In “Don, Here Is my Peppermint Striped Shirt,” the reader is invited into a virtual 1970s Greenwich Village Moveable Feast: a Christmas party at which Major meets the subject of his essay. The essays profiling renowned writers (James Baldwin, Ralph Ellison, and Richard Wright) are deliberately narrow, addressing aspects of the authors that have been rarely glimpsed. “Necessary Distance” can be seen more as a memoir in it, Major recounts his captivation with painting, a scholarship he received as a teenager to attend sketch classes at Chicago’s Art Institute, his awareness of the absence of African American work from the walls of mainstream galleries, his fascination with form over content, and his frustration with critical pigeon-holing. “Thanks for the Lunch, Baby,’” imagines a posthumous Paris lunch with Major’s friend, James Baldwin, while “A Paris Fantasy Transformed” focuses on ex-pat Major’s observations of the complications in the European mecca-utopia. Included in the section is the essay “Painting and Poetry,” in which Major merges the disciplines of visual art and writing, discussing letters written by Vincent van Gogh.
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